ADVANCED TYPOGRAPHY / TASK 1 : EXERCISES
30/08/2023 - 22/09/2023 (Week 1 - Week 4)
Advanced Typography / Bachelor of Design (Hons) in Creative Media
ADVANCED TYPOGRAPHY TASK 1 / EXERCISES
Lectures
WEEK 1 : [30/08/2023]Summary
- On the first week we had an introduction and briefing about the module, after introducing us to the new module Mr.Vinod explained about typographic systems and the 8 layouts of typography, Immediately after the brief Mr.Vinod gave us an assignment to make 8 examples of the layout and tasked us to make at least 2 of each example, so we have to create 18 layouts.
Lecture 1 : Typographic Systems
- Similar to architectural shape grammars, typographic systems are made up of rule sets that direct and concentrate decision-making, giving typography in design a clear framework.
Fig.1.0 8 Typographic Systems
There are 8 major variations on typographic systems, which are:
- Axial: All elements are organized to the left or right of a single axis.
Fig.1.1 Axial System from Type 365
-
Radial: All elements are extended from a point of focus.
Fig.1.2 Radial System from Type 365
-
Dilatational: All elements expand from
a central points in a circular fashion.
Fig.1.3 Dilatational System from Type 365
-
Random: Elements appear to have no specific pattern or
relationship
Fig.1.4 Random System from Type 365
- Grid: A system of vertical and horizontal divisions
Fig.1.5 Grid System from Type 365
- Transitional: An informal system of layered banding.
Fig.1.6 Transitional System from Type 365
- Modular: A series of non-objective elements that are constructed in standardized units.
Fig.1.7 Modular System from Type 365
-
Bilateral: All text is arranged symmetrically on a single
axis
Fig.1.8 Bilateral System from Type 365
WEEK 2 : [06/09/2023]
Summary
- On the second week we had a feedback session and then we got another assignment which is Type & Play, we were instructed to watch the lecture and is getting explanation on how the exercise work, and after that we were told to find a picture for the type and play so that he can view and see if it work.
Lecture 2 : Typographic Composition
- Typographic composition is a vital component of design and communication that serves both practical and aesthetically pleasing goals It is an effective medium for building identity, delivering information, and capturing viewers' attention.
1. Emphasis: You can draw attention to important information or calls to action by emphasising specific words or phrases inside a document using typographic composition.
Fig.1.9 Emphasis
2. Rule of Thirds: It's vital to keep in mind that the Rule of
Thirds is not a rigid rule but rather a technique to help with generating
balanced and aesthetically beautiful compositions in typography and
graphic design.
Fig.1.10 Rule of Thirds
Typographic Systems
1. Environmental Grid: Environmental grids, often referred to as modular grids or spatial grids, are a typographic design framework that creates a unified and well-organized layout.
Fig.1.11 Environmental Grid
2. Form and Movement: Form and movement are important components of typographic design that have a significant impact on how a message is interpreted and comprehended.
Fig.1.12 Form and Movement
WEEK 3 : [13/09/2023]
Summary
- I was absent on Third week, so i watched the replay of the class on that day, we had a feedback session on the type and play and after that we had a continuous assignment with the type and play and we were told to make a movie poster using the word that are resulted from the Type and play, Keypoint is to make sure the words is the "hero" of the poster.
Lecture 3 : Context & Creativity
In order of understanding Typography we have to get to know the context and
the creativity behind all of it.
Handwriting
Handwriting
Fig.1.13 Evolution of the Latin Alphabet
- The initial mechanically created letterforms attempted to mimic the established form, spacing, and traditions of handwriting. Writing media including clay, papyrus, animal skins, and paper had an impact on the lines and shapes of hand-drawn letterforms. This script became the model for typography as it developed, laying the groundwork for type design.
The evolution of typefaces and letterforms can be summed up as follows:
- The earliest mechanically produced letterforms were created to resemble handwriting and served as the benchmark for mechanical type's form, spacing, and conventions.
- Writing systems started out as pictograms and eventually developed into left-to-right writing.
Fifth Century BCE Early Greek Lettering: Early Greek letters were
handwritten and lacked serifs. Letters thickened, apertures shrunk, and
serifs were added over time.
Roman Uncials: Roman characters grew more rounded and curled,
enabling writers to write more quickly and with fewer strokes.
English Half Uncials (8th C.): Uncial lettering in England
changed into a slanted and compact style.
Carolingian Minuscule: Spaces between words, capital letters at
the beginning of phrases, and punctuation were all introduced by the
Carolingian Minuscule. It had an impact on Humanistic literature in
the fifteenth century, which provided the inspiration for our current
lowercase Roman type.
Black Letter (12–15 CE): This typeface was known for its
condensed writing and close spacing, which helped print books with
less material.
The Italian Renaissance: rediscovered Antica letterforms
and used Renaissance design tenets to produce more idealised and
logical letterforms.
Summary
- On week 4 Mr.Vinod lectured us about specialization and the truth about the designing world business in general. it is true that it is a struggle to find a comfortable and good payment job as a graphic designer, he told us to make sure to make side income starting from now, and make sure to not only limit yourself into just one job, after that we had a brief about our next assignment and we did some sketching in class.
Lecture 4 : Designing Type
A thorough study of letterforms, adherence to typography rules, and
meticulous attention to detail are all necessary for the complicated and
creative process of typeface (font) design. The general procedures to take
while creating your own typeface are as follows:
1. Research & Make a Concept
1. Research & Make a Concept
- learn about various typographic styles and existing typefaces.
- Give your typeface a distinct concept or topic
- Look for inspiration in a variety of places, such as old typefaces, the outdoors, buildings, or other types of art.
2. Sketch
- Pay attention to letter anatomy, including the shapes of individual letters, serifs, and the overall aesthetic balance.
- Start drawing your typeface's earliest concepts on paper. Try out various letterforms, weights, and styles.
3. Digitalize
- Convert your sketches into digital designs using font editors like FontForge or vector-based design programmes like Adobe Illustrator.
- Establish a grid or rules to maintain uniform dimensions and spacing.
4. Testing
- Try out your typeface in a variety of settings, including those with diverse backgrounds, font sizes, and apps.
- Get feedbacks, refine your design. Continue to tweak and enhance the typography.
- Make sure to not take the testing phase lightly to keep any issues minor.
Instructions
Module Information Booklet
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Task 1: Ex 1 - Typographic System
Visual Research
- After watching the lecture video i start on doing visual reseach on how im gonna make my layout gonna be. the content of the 8 systems that we are going to make are going to be :
All Ripped Up: Punk Influences on Design
or
The ABCs of Bauhaus Design Theory
or
Russian Constructivism and Graphic Design
Open Public Lectures:
June 24, 2021
Lew Pik Svonn, 9AM-10AM Ezrena Mohd., 10AM-11AM Suzy Sulaiman, 11AM-12PM
June 25, 2021
Lim Whay Yin, 9AM-10AM Fahmi Reza, 10AM-11AM Manish Acharia, 11AM-12PM
Lecture Theatre 12
Figure 2.1 Visual research (Source : Behance.net)
Sketches
after researches i did, i started to sketch the layout digitally.
Digitalization
- i tried on making the 16 layouts, and here are the results.
Figure 2.5 Axial attempt [Week 2 (05/09/2023]
Figure 2.6 Dilatational attempt [Week 2 (05/09/2023]
Figure 2.7 Random attempt [Week 2 (05/09/2023]
Figure 2.9 Grid attempt [Week 2 (05/09/2023]
Figure 2.10 Transitional attempt [Week 2 (05/09/2023]
Figure 2.11 Modular attempt [Week 2 (05/09/2023]
Figure 2.12 Bilateral attempt [Week 2 (05/09/2023]
In week 2 we got some feedback, and i asked my peers for some feedback
too on which layout is better and after some critical thinking i
decided to pick one from the two designs.
FINAL OUTCOME
Figure 2.21 Axial final attempt [Week 3 (12/09/2023]
Figure 2.22 Radial final attempt [Week 3 (12/09/2023]
Figure 2.23 Dilatational final attempt [Week 3 (12/09/2023]
Figure 2.24 Random final attempt [Week 3 (12/09/2023]
Figure 2.25 Grid final attempt [Week 3 (12/09/2023]
Figure 2.29 Final PDF [Week 3 (12/09/2023]
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Figure 2.30 Final PDF with Grids & Margins [Week 3 (12/09/2023]
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Task 1: Ex 2 - Type & Play
Visual Research
- We were tasked to search for images for our type and play, since i love snakes so i tried searching about snakes, and i feel like snake have a lot of patterns i can choose an example from a snake. i went thru pinterest and find alot of choices and here are the choices i have
Sketches
i decided to go with the third picture cause it was the easiest to find letter from. after picking one of the picture i start to find the letters on the pictures and start tracing on them using the pen tool. and i managed to find 5 letters which are P, I, F, O, T.
Figure 3.1 Letters found [Week 2 (09/09/2023)]
Figure 3.2 Extracted letters [Week 2 (09/09/2023)]
Digitalization
-
After finding the letters i started to refine the
letters. i chose a font called "Futura Std" on
the Extra Bold Condensed and followed the
guidelines of that font as reference as i refine the
letters.
Figure 3.3 Futura Std Extra Bold Condensed as reference [Week 2 (09/09/2023)]
Figure 3.4 Progression [Week 3 (13/09/2023)]
FINAL OUTCOME
Figure 3.5 Compiled Process JPG [Week 3 (13/09/2023)]
Figure 3.6 Original Extracted Letterform Compared to Final Type Design
JPG [Week 3 (13/09/2023)]
Figure 3.7 Final Letterforms JPG [Week 3 (13/09/2023)]
Figure 3.8 Letter 'F' JPG [Week 3 (13/09/2023)]
Figure 3.9 Letter 'I' JPG [Week 3 (13/09/2023)]
Figure 3.10 Letter 'P' JPG [Week 3 (13/09/2023)]
Figure 3.11 Letter 'O' JPG [Week 3 (13/09/2023)]
Figure 3.12 Letter 'T' JPG [Week 3 (13/09/2023)]
PDF:
Figure 3.13 Final PDF [Week 3 (13/09/2023)]
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Task 1: Ex 3 - Movie Poster
Visual Research
- after getting tasked to make movie posters i started doing visual research of movie posters, and since the letters i made are made of snake and it came out a little bit horror ish (could also be playful depending on mood and colors), i decide to make something a little horror based movie posters
Digitalization
I started looking for pictures that might fit the
themed and found this picture in Pinterest, i did a
little bit of adjustment with the colors.
Figure 4.1 Original picture [Week 4 (18/09/2023)]
Figure 4.2 Color adjustments Ver.1 [Week 4 (18/09/2023)]
Figure 4.3 Color adjustments Ver.2 [Week 4 (18/09/2023)]
I decided to go with the Ver.2 cause it fits the
gloomy vibe better and i start adding all the five
letters (F, I, P, O, T) into the picture as a
poster.
Figure 4.4 Progressions #1
Cropping [Week 4 (18/09/2023)]
I changed the size to what was requested which is 1024 x
1024.
Figure 4.5 Progressions #2
Title [Week 4 (18/09/2023)]
Figure 4.6 Progressions #3
Production [Week 4 (18/09/2023)]
Figure 4.7 Progressions #3
Sub-Title [Week 4 (18/09/2023)]
After adding the title, sub-title, and the
productions, i added a Gaussian blur effect and
Grain texture to it so that the words will blend
with the background photos.
FINAL OUTCOME
Figure 4.9 Final Movie Poster (FIPOT)
PDF [Week 4 (18/09/2023)]
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src="https://drive.google.com/file/d/1REjgywVi7Urnd9RjnUIKwd0k5T0aG8Qk/preview"
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allow="autoplay"></iframe>
Feedback
Week 2 :
- General Feedback : Colors are allowed so play with colors, Make sure to not make the elements to be overwhelming or else people will be focused on the elements more than the text, Make sure to follow the guidelines
Week 3 :
- General Feedback : readability is important make sure people can read and make out what the letters are.
Week 4 :
- General Feedback : make sure the words are more presentable than the pictures on the poster, the words should be the 'hero'
- Specific Feedback : make sure the name is balanced, make sure theres not alot of things going on so minimalize the elements.
Reflection
-
Experience : As always there were alot of workload, but
compared to previous semester we already had the basics so most of
the things we do are a little less harder, however sometimes i still
find it challenging, although some of our assignment are hard, some
are actually way more fun to do than the previous sem
-
Observations : from these exercise i learn about alot of
different typographic layout and how creativity can be the source of
making typefonts, imagine trying to find an item that you can make a
letter out of it using your imagination, it is just like how you
make out different characters in the clouds
- Findings : typography is not just letters, sometimes, words can also come from an object, just like art we need a big imagination to create unique letters, and by adding letters to certain things it adds alot more understanding towards the things we are making.
Further Reading
Figure 3.1 Book Cover
Typographic Systems of Design
By Kimberly Elam
-
The book is a thorough introduction to the significance of typography in
graphic design. The use of typography as a tool for successful visual
expression and communication is emphasised in the book. In order to build
cohesive designs, it teaches the idea of typographic systems and
emphasises the significance of consistency in the use of typefaces,
widths, spacing, and other factors. The use of grid systems as the basic
framework for organising content and upholding uniformity in layout is
studied.
-
Elam explains how hierarchy and contrast, two essential elements of
typographic design, direct users' attention and emphasise important
details. In order to show how these concepts are applied in diverse design
settings, from editorial projects to branding and signs, the book includes
real-world case studies and hands-on activities.
- For both inexperienced and seasoned designers the book is a good tool that provides us with the knowledge and abilities to produce visually appealing and efficient typographic compositions.
-
For designers, students, and typography aficionados looking to gain a
thorough understanding of type foundations, This book is very essential.
The fundamental concepts covered in Kane's work, such as type
categorization, typography anatomy, and historical background, provide
beginners with a solid foundation.
-
This book stands out because of its useful approach. Kane explores into
how typography is used in design projects and provides helpful guidance on
type choices, layout, and composition. The book emphasizes the importance
of readability and visual hierarchy and offers actual examples and case
studies to show how these ideas are applied in everyday life.
- The new edition has a strong emphasis on digital typography since it acknowledges the changing nature of design in digital media. In addition, readers can put their knowledge to use and improve their typographic talents thanks to Kane's incorporation of practical exercises and projects.


















































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